`He ought to know. I saved his broken leg for him last year,' the doctor said, stoically. He felt on his shoulders the weight of these hands famed amongst the populace for snapping thick ropes and bending horseshoes. `And to you I offer the best means of saving yourself -- let me go -- and of retrieving your great reputation. You boasted of making the Capataz de Cargadores famous from one end of America to the other about this wretched silver. But I bring you a better opportunity -- let me go, hombre! '
Nostromo released him abruptly, and the doctor feared that the indispensable man would run off again. But he did not. He walked on slowly. The doctor hobbled by his side till, within a stone's throw from the Casa Viola, Nostromo stopped again.
Silent in inhospitable darkness, the Casa Viola seemed to have changed its nature; his home appeared to repel him with an air of hopeless and inimical mystery. The doctor said:
`You will be safe there. Go in, Capataz.'
`How can I go in?' Nostromo seemed to ask himself in a low, inward tone.
`She cannot unsay what she said, and I cannot undo what I have done.'
`I tell you it is all right. Viola is all alone in there. I looked in as I came out of the town. You will be perfectly safe in that house till you leave it to make your name famous on the Campo. I am going now to arrange for your departure with the engineer-in-chief, and I shall bring you news here long before daybreak.'
Dr Monygham, disregarding, or perhaps fearing to penetrate the meaning of Nostromo's silence, clapped him lightly on the shoulder, and starting off with his smart, lame walk, vanished utterly at the third or fourth hop in the direction of the railway track. Arrested between the two wooden posts for people to fasten their horses to, Nostromo did not move, as if he, too, had been planted solidly in the ground. At the end of half an hour he lifted his head to the deep baying of the dogs at the railway yards, which had burst out suddenly, tumultuous and deadened as if coming out from under the plain. That lame doctor with the evil eye had got there pretty fast.
Step by step Nostromo approached the Albergo d'Italia Una, which he had never known so lightless, so silent, before. The door, all black in the pale wall, stood open as he had left it twenty-four hours before, when he had nothing to hide from the world. He remained before it, irresolute, like a fugitive, like a man betrayed. Poverty, misery, starvation! Where had he heard these words? The anger of a dying woman had prophesied that fate for his folly. It looked as if it would come true very quickly, And the leperos would laugh -- she had said. Yes, they would laugh if they knew that the Capataz de Cargadores was at the mercy of the mad doctor whom they could remember, only a few years ago, buying cooked food from a stall on the Plaza for a copper coin -- like one of themselves.
At that moment the notion of seeking Captain Mitchell passed through his mind. He glanced in the direction of the jetty and saw a small gleam of light in the O.S.N. Company's building. The thought of lighted windows was not attractive. Two lighted windows had decoyed him into the empty Custom House, only to fall into the clutches of that doctor. No! He would not go near lighted windows again on that night. Captain Mitchell was there.
And what could he be told? That doctor would worm it all out of him as if he were a child.
On the threshold he called out `Giorgio!' in an undertone. Nobody answered.
He stepped in. ` Ola! viejo! Are you there? . . .' In the impenetrable darkness his head swam with the illusion that the obscurity of the kitchen was as vast as the Placid Gulf, and that the floor dipped forward like a sinking lighter. ` Ola! viejo! ' he repeated, falteringly, swaying where he stood. His hand, extended to steady himself, fell upon the table.
Moving a step forward, he shifted it, and felt a box of matches under his fingers. He fancied he had heard a quiet sigh. He listened for a moment, holding his breath; then, with trembling hands, tried to strike a light.
The tiny piece of wood flamed up quite blindingly at the end of his fingers, raised above his blinking eyes. A concentrated glare fell upon the leonine white head of old Giorgio against the black fireplace--showed him leaning forward in a chair in staring immobility, surrounded, overhung, by great masses of shadow, his legs crossed, his cheek in his hand, an empty pipe in the corner of his mouth. It seemed hours before he attempted to turn his face; at the very moment the match went out, and he disappeared, overwhelmed by the shadows, as if the walls and roof of the desolate house had collapsed upon his white head in ghostly silence.
Nostromo heard him stir, and utter dispassionately the words:
`It may have been a vision.'
`No,' he said, softly. `It is no vision, old man.'
A strong chest voice asked in the dark:
`Is that you I hear, Giovann' Battista?'
` Si, viejo . Steady. Not so loud.'
After his release by Sotillo, Giorgio Viola, attended to the very door by the good-natured engineer-in-chief, had re-entered his house, which he had been made to leave almost at the very moment of his wife's death.
All was still. The lamp above was burning. He nearly called out to her by name; and the thought that no call from him would ever again evoke the answer of her voice, made him drop heavily into the chair with a loud groan, wrung out by the pain as of a keen blade piercing his breast.
The rest of the night he made no sound. The darkness turned to grey, and on the colourless, clear, glassy dawn the jagged sierra stood out flat and opaque, as if cut out of paper.