The dreary scene of desolation, through which Mannering's road had lain on the preceding evening, was excluded from the view by some rising ground, and the landscape showed a pleasing alternation of hill and dale, intersected by a river, which was in some places visible, and hidden in others, where it rolled betwixt deep and wooded banks. The spire of a church, and the appearance of some houses, indicated the situation of a village at the place where the stream had its junction with the ocean. The vales seemed well cultivated, the little enclosures into which they were divided skirting the bottom of the hills, and sometimes carrying their lines of straggling hedge-rows a little way up the ascent. Above these were green pastures, tenanted chiefly by herds of black cattle, then the staple commodity of the country--, whose distant low gave no unpleasing animation to the landscape. The remoter hills were of a sterner character, and, at still greater distance, swelled into mountains of dark heath, bordering the horizon with a screen which gave a defined and limited boundary to the cultivated country, and added, at the same time, the pleasing idea, that it was sequestered and solitary. The sea-coast, which Mannering now saw in its extent, corresponded in variety and beauty with the inland view. In some places it rose into tall rocks, frequently crowned with the ruins of old buildings, towers, or beacons, which, according to tradition, were placed within sight of each other, that, in times of invasion or civil war, they might. communicate by signal for mutual defence and protection. Ellangowan castle was by far the most extensive and important of these ruins, and asserted, from size and situation, the superiority which its founders were said once to have possessed among the chiefs and nobles of the district. In other places, the shore was of a more gentle description, indented with small bays, where the land sloped smoothly down, or sent into the sea promontories covered with wood.
A scene so different from what last night's journey had presaged, produced a proportional effect upon Mannering. Beneath his eye lay the modern house; an awkward mansion, indeed, in point of architecture, but well situated, and with a warm, pleasant exposure.--How happily, thought our hero, would life glide on in such a retirement! On the one hand, the striking remnants of ancient grandeur, with the secret consciousness of family pride which they inspire; on the other, enough of modern elegance and comfort to satisfy every moderate wish. Here then, and with thee Sophia!--We shall not pursue a lover's day-dream any farther. Mannering stood a minute with his arms folded, and then turned to the ruined castle.
On entering the gateway, he found that the rude magnificence of the inner court amply corresponded with the grandeur of the exterior.
On the one side ran a range of windows lofty and large, divided by carved mullions of stone, which had once lighted the great hall of the castle; on the other, were various buildings of different heights and dates, yet so united as to present to the eye a certain general effect of uniformity of front. The doors and windows were ornamented with projections exhibiting rude specimens of sculpture and tracery, partly entire and partly broken down, partly covered by ivy and trailing plants, which grew luxuriantly among the ruins. That end of the court which faced the entrance had also been formerly closed by a range of buildings; but owing, it was said, to its having been battered by the ships of the Parliament under Deane, during the long civil war, this part of the castle was much more ruinous than the rest, and exhibited a great chasm, through which Mannering could observe the sea, and the little vessel (an armed lugger) which retained her station in the centre of the bay. [*The outline of the above description, as far as the supposed ruins are concerned, will be found somewhat to resemble the noble remains of Carlaverock castle, six or seven miles from Dumfries, and near to Lochar-moss.]
While Mannering was gazing round the ruins, he heard from the interior of an apartment on the left hand the voice of the gipsy he had seen on the preceding evening. He soon found an aperture, through which he could observe her without being himself visible;and could not help feeling, that her figure, her employment, and her situation, conveyed the exact impression of an ancient sibyl.
She sat upon a broken corner-stone in the angle of a paved apartment, part of which she had swept clean to afford a smooth space for the evolutions of her spindle. A strong sunbeam, through a lofty and narrow window, fell upon her wild dress and features, and afforded her light for her occupation; the rest of the apartment was very gloomy. Equipt in a habit which mingled the national dress of the Scottish common people with something of an Eastern costume, she spun a thread, drawn from wool of three different colours, black, white, and gray, by assistance of those ancient implements of house-wifely, now almost banished from the land, the distaff and spindle. As she spun, she sung what seemed to be a charm. Mannering, after in vain attempting to make himself master of the exact words of her song, afterwards attempted the following paraphrase of what, from a few intelligible phrases, he concluded to be its purport.
Twist ye, twine ye! even so Mingle shades of joy and woe, Hope, and fear, and peace, and strife, In the thread of human life.
While the mystic twist is spinning, And the infant's life beginning, Dimly seen through twilight bending, Lo, what varied shapes attending!
Passions wild, and Follies vain, Pleasures soon exchanged for pain Doubt, and Jealousy and Fear, In the magic dance appear.
Now they wax, and now they dwindle, Whirling with the whirling spindle. Twist ye, twine ye! even so Mingle human bliss and woe.